NEWS

A closer look at roof craftsmanship

Colour, ornament and craft that shape the shrine's visual identity.

Spend a moment looking up at the roof of Put Chor Shrine and you find that every inch carries a story. The ridge sweeps upward at both ends in the southern Chinese manner, crowned with paired dragons, phoenixes, peonies and cloud scrolls — each element shaped by hand, one piece at a time.

Jian nian: the art of cut porcelain

The vivid colours on the roof are not paint. They come from jian nian — glazed porcelain bowls cut into small shards and assembled into form. The craftsman must match the curve of each shard to the curve of a dragon's body or a flower petal with real precision.

It is slow work and hard to repair. When a shard goes missing, a craftsman must find a bowl of matching colour and thickness and cut a replacement by hand — so every restoration asks for patience as much as skill.

Ornamental detail along the shrine's roof ridge